(결말포함)재벌 할아버지가 젊은 몸을 얻게 된 후 가장 먼저 한 일 (할 수있다 2024)
스펜서 트레이시 (Spencer Tracy)는 스펜서 보나 벤처 트레이시 (Scencer Bonaventure Tracy)에서 1900 년 4 월 5 일 (미국 위스콘신 주 밀워키에서 1967 년 6 월 10 일, 캘리포니아 비벌리 힐스에서 사망) 할리우드에서 가장 위대한 남성 리드 중 하나이자 최초의 미국 영화 배우 배우는 최고의 배우를 위해 두 번의 아카데미 상을 수상했습니다.
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영화 학교: 사실 또는 허구?
영화 제작에서 열쇠는 조명을 담당합니다.
트레이시는 청년 시절 지루하고 17 세에 미 해군에 합류했습니다. 학업에 대한 열망에도 불구하고 그는 결국 위스콘신의 Ripon College에서 예비 학생이되었습니다. 거기에있는 동안, 그는 오디션을 시작하여 시작 연극에서 역할을했으며 약보다 자신의 취향에 맞는 행동을 발견했습니다. 1922 년에 그는 뉴욕시로 갔고, 그의 친구 Pat O'Brien은 미국 드라마 예술 아카데미에 등록했습니다. 같은 해, Karel Čapek의 RUR에서 로봇으로 비트 역할을 맡은 두 사람이 Broadway의 공동 데뷔를했으며, 다음 8 년 동안 Tracy는 단기 Broadway 연극의 주요 부분과 지역 주식 회사의 주요 역할 사이에서 튀어 나와 마침내 스타를 달성했습니다. 그는 1930 년 브로드 웨이가 최후의 마일을 쳤다. 그는 두 개의 Vitaphone 짧은 주제에 출연했습니다.그러나 그는 스크린 스타의 가능성에 대해 자신과 비관에 불만을 나타냈다.
Nevertheless, director John Ford hired Tracy to star in the 1930 feature film Up the River, which resulted in a five-year stay at Fox Studios in Hollywood. Although few of his Fox films were memorable—excepting perhaps Me and My Gal (1932), 20,000 Years in Sing Sing (1932), and The Power and the Glory (1933)—his tenure at the studio enabled him to develop his uncanny ability to act without ever appearing to be acting. His friend Humphrey Bogart once attempted to describe the elusive Tracy technique: “[You] don’t see the mechanism working, the wheels turning. He covers up. He never overacts or is hammy. He makes you believe what he is playing.” For his part, Tracy always denied that he had come up with any sort of magic formula. Whenever he was asked the secret of great acting, he usually snapped, “Learn your lines!”
In 1935 he was signed by Metro-Goldwyn-Mayer, where he would do some of his best work, beginning with his harrowing performance as a lynch-mob survivor in Fritz Lang’s Fury (1936). He received his first of nine Oscar nominations for San Francisco (1936) and became the first actor to win two consecutive Academy Awards, for his performance as the Portuguese fisherman Manuel in Captains Courageous (1937) and for his role as the priest who founded the eponymous facility in Boys Town (1938). In the course of his two decades at MGM he settled gracefully into character leads, conveying everything from paternal bemusement in Father of the Bride (1950) to grim determination in Bad Day at Black Rock (1955). In later years his health was eroded by respiratory ailments and a lifelong struggle with alcoholism, but Tracy worked into the early 1960s, delivering exceptionally powerful performances in producer-director Stanley Kramer’s Inherit the Wind (1960) and Judgment at Nuremberg (1961).
Married since 1923 to former actress Louise Treadwell, Tracy lived apart from his wife throughout most of their marriage, though as a strict Roman Catholic he refused to consider divorce. From 1942 onward, he maintained a warm, intimate relationship with actress Katharine Hepburn. Tracy and Hepburn were also memorably teamed in nine films, including Woman of the Year (1942), Adam’s Rib (1949), Pat and Mike (1952), Desk Set (1957), and Kramer’s Guess Who’s Coming to Dinner (1967), which was completed three weeks before Tracy’s death.
